Sunday, 19 June 2016
The Dark Forest is Cixin Liu’s sequel to his excellent novel The Three Body Problem (2008) and is part of a trilogy called Remembrance of Earth’s Past, although in China they apparently refer to the series by the first book’s title. The Dark Forest finds humanity at the crossroads, with a complex plot that unfolds over four hundred years. Liu imagines a future in which humanity has both achieved enormous scientific progress and yet is also held back by severe constraints. As with the first book, The Dark Forest presents such a unique take on well worn science fiction tropes that its flaws are mere background problems in comparison to the novel’s epic scope.
In my review of The Three Body Problem I went to great pains to not reveal key plot concepts, so that logically means I’m also limited in what I can say about this novel. What I can say however is that the major theme of the novel is revealed, with the help of an ant, in the opening prologue, which establishes a brilliant premise that then unfolds over the course of the novel. Anyone looking for a fast moving narrative had just better read something else (Harry Harrison’s The Stainless Steel Rat (1961) perhaps...now that’s going back a ways...). The novel frequently moves at a glacial pace, establishing the groundwork for later sudden revelations and events that do not fail to both excite and intrigue. On the whole this narrative structure works well, although it is sometimes hampered by a flat tone that stems possibly from the translator, Joel Martinson. A Chinese writer translated the first novel, which had a more poetic tone, whilst The Dark Forest’s prose can sometimes be stilted. Don’t let this put you off however, regardless of its flaws The Dark Forest is once again an extremely refreshing science fiction narrative, avoiding many of the familiar narrative signposts that feature in British or American novels.
Liu’s portrayal of humanity’s future across four centuries has fun with some treasured science fiction themes (underground cities being one), but he steers clear of outright parody, taking the future seriously enough to please the most demanding of science fiction fans. Liu’s vision of humanity’s slow crawl into space is also satisfying, particularly the manner in which it may be achieved and nature of its functioning. There are also some surprises, such as the unlikely idea that Osama Bin Laden was a fan of Isaac Asimov’s brilliant Foundation series and therefore could be lured into cooperation by being painted as a Hari Seldon figure (I’m not making this up...). At the core of the novel is the meaning of the dark forest concept, an idea that can perhaps be easily guessed at by seasoned science fiction readers; however Liu’s final reveal at the very endgame of the novel is well worth waiting for.
Liu’s dark forest concept caused me to think long and hard about the nature of the universe, something I haven’t done for a while, and the truth is that I felt a twinge of real fear. As simplistic as it seems it is not such a big leap to apply Darwinism to the wider universe, particularly in light of recent discoveries of just how many habitable planets may be out there. Coincidentally recently whilst I was leafing through a copy of The New Scientist magazine at the library I happened upon an article about one of our planet’s most remarkable life forms, the Tarigrade (Water Bear), a microscopic creature that can survive in outer space for up to 10 days, can survive up to 10000 times more radiation than other lifeforms and can also survive extreme atmospheric pressure up to six times the pressure of Earth’s deepest point. The article highlighted a characteristic of Tarigrades that I didn’t know about before - the ability to enter a desiccated metabolic state by expelling the majority of water from their bodies and then survive undamaged for up to five years. What does this have to do with the Remembrance of Earth’s Past series? Read The Three Body Problem to find out, meanwhile I can’t wait to read the third and final book, Death’s End when it is published in September of this year.