Another book club read, another historical fiction novel, but The Painter's Daughters is a quality example of this sometimes maligned genre. Thomas Gainsborough was an excellent landscape portrait artist, pretty much inventing the form due to his love of landscapes combining with the need to produce portraits to earn enough money to keep his family going. Married to Margaret, the illegitimate child of the union between a commoner (see below) and the Duke of Beaufort, they had two daughters, Mary (Molly) and Margaret (Peggy). As the novel's name suggests, this is about the lives of Molly and Peggy, as told through Peggy's voice, who, although the youngest of the two, spent her life looking after Molly. Molly suffered from an unnamed mental illness that led her to take flights of fancy and risked being sent to an asylum, a terrible fate in the eighteenth century. The historical aspects of The Painter's Daughters are fascinating and, from the research I undertook, stays true to what is know about the Gainsborough family. The novel follows the family from country Ipswich in Suffolk, to Bath and then onto London. As the daughters get older the pressure to fit into normal polite society mounts, and so does the narrative tension as Peggy attempts to keep Molly in check and navigate the demands and mounting frustration of their mother, who is alarmed by Molly's mental illness and their inability to fit in. There are also chapters involving said commoner, Meg, whose unfortunate story is told via past flashbacks and brings the present world of the Gainsboroughs into sharp relief.
Howes is a skilled writer, and considering that The Painter's Daughters is her debut novel, it is remarkably assured. Howes descriptive powers are such that scenes are vivid and encompass all the senses, in particular those set in the bustling streets of Bath. Although sometimes relegated to the background, Thomas Gainsborough comes to life as the affable and eccentric painter of renown. The scenes involving him painting in his studio are fascinating, atmospheric and beautifully written. The Meg chapters build in tension, despite the prior knowledge that everything does work out, Howe's makes you worry and care about her eventual fate. Peggy and Molly's story is tragic, yet contains many moments of tenderness and hope. They are extremely sympathetic characters and in Howes skilled hands they come to life. All of the characters are well developed, from the daughters themselves, through to Thomas, Margaret and the array of minor characters, such as Gainsborough's patron, the humorously named Thicknesse, his eventual wife Ann Ford and finally the bounder, (the operator of the playboy type*) of the story, Johann Fischer, an oboist of dubious renown. Fisher's presence in the Gainsborough house-hold is insidious, flirting with both sisters without compunction. That the sisters' story ends in tragedy lends a melancholic tone to The Painter's Daughters denouement, however the novel is still satisfying. Most of the book club members enjoyed the novel, finding it easy to read and replete with fascinating historical detail. It was remarked that The Painter's Daughters would be a great holiday read, although one with some substance and emotional clout. Recommended, whether you are on holiday or at home with a cup of tea and a cat on your lap.
* See Whit Stillman's film Damsels in Distress (2011)
