No Certainty Attached is written by long time fan musician and writer Robert Dean Lurie, who in 1990 at the tender age of 16 saw The Church live on a tour of the U.S. Thirteen years later Lurie contacted Kilbey to ask if he’d be involved with this biography and to Lurie’s surprise he said yes. Fittingly the biography begins with some words from Steve Kilbey himself:
Lurie attempts to come to some kinda understanding of my paradox. That is, I can be so nice, or I can be not so nice and hardly anything in the middle. And it’s funny that Lurie puts the boot in at the end and he reckons that the fambly manne (sic) thing is an act, and my everyman pose is faux, and really I’m the same old prick, and Rob, you’ve hit the nail on the head, actually…
As a long time fan of both The Church and Kilbey’s solo music, the question of whether Steve Kilbey is the same old prick is something I do not particularly care about (as interesting as that is). For me the music is the main consideration and I consider The Church to be one of greatest Australian bands of any era. What the above quote reveals is that No Certainty Attached is not one of those sycophantic and superficial biographies. The fact that Kilbey’s ego is not pandered to and that Lurie himself is part of the story makes No Certainty Attached one of the most enjoyable music biographies I’ve read for a long time.
It’s easy to warm to Lurie, his writing style is unpretentiously affable and over the course of the book his relationship with Kilbey and The Church progresses to the level of friendship. Lurie’s life is very much tied up with Kilbey in terms of being a source of inspiration and ongoing fascination. Lurie recounts his first meeting with Kilbey in 1998 as a support for a solo gig, a meeting that provided him both disillusionment and a certain level of fulfillment. The book contains several interludes in which Lurie ponders the ambiguous boundaries between fandom and his burgeoning relationship with Kilbey. Bravely Lurie recounts how during one of their interviews for the book Kilbey openly tests him for evidence of sycophancy; a test that Lurie fails, much to Kilbey’s displeasure. But Lurie later admits that it taught him a valuable lesson.
Although Lurie’s presence in the book is welcome, it’s Kilbey’s story and the history of the band that makes the book an essential read for Kilbey/Church fans. There’s the usual childhood background, with Kilbey emigrating with his parents from the UK in 1957, eventually settling in Canberra. Steve Kilbey the child was a Doctor Who fan and as Lurie notes was, for better or worse, a smaller version of his adult self. Kilbey became a reluctant teenager, recalling that he was disappointed when he realized that his childhood had ended. Lurie notes that as a teenager Kilbey dated a girl that he was attracted to because she looked like Roger Waters circa the 1971 Meddle album. Hilariously he couldn’t understand why this didn’t go down well. Recollections like these give the biography a welcome level of charm and warmth.
|Steve Kilbey's girlfriend in high school|
The tale of how The Church came together as a band is a fascinating one. Lurie does a fine job recounting the history of The Church, but one of the best things about the book was that I found out about Kilbey’s many obscure side projects that ran parallel with both the Church and his solo career. It’s possible I could be spending a lot of money online searching out these records. Kilbey’s career is like a labyrinth with many rooms containing obscure treasures.
No Certainty Attached also contains a few revelations; including that incredulously the first lineup of the band included a guy who bullied Kilbey in high school – Nick Ward. Lurie’s interviews with Ward reveal that twenty or so years later he probably would still be bullying Kilbey had he stayed in the band. What is it about drummers? I was also amazed to learn that Kilbey endured a ten-year heroin addiction, which began post Gold Afternoon Fix (1990) - naughty Steve, but I’m glad he survived to tell the tale.
Lurie’s serpentine tale of strife, inspiration, failure and musical brilliance ends in 2006, where again he meets with Kilbey on tour. The meeting is friendly and you can detect that fambly man vibe between them. At the end of the book Kilbey has the final word in a hilarious stream of consciousness via his blog in which he refers to Lurie as having been “…some seriously uptight fanboy” and how he divested himself of that and wrote “a good book”. Kilbey is correct and Lurie should update it soon as The Church released one of their best albums in 2009 (Untitled #23) and are still touring to this day. I advise Church fans to read this book, but no doubt many have already. Also check out Kilbey's interesting blog...