After I finished reading Chronic City I searched for some information about Jonathan Lethem and discovered that during his childhood he read Philip K. Dick’s entire oeuvre. This came as no surprise because Chronic City seems designed to make people who are already suspicious about the nature of reality even more nervous. The novel is set in what seems to be contemporary New York, however there is a gigantic escaped tiger roaming the streets, a permanent fog enshrouding the business district and newspapers that run war free editions. There is a lot going on in Chronic City, yet curiously also not that much at all. I’m still trying to decide whether the novel is a parody of western culture, a tribute to Philip K. Dick or a serious meditation about the nature of reality, or perhaps all three.
The aptly named Chase Insteadman is the narrator and principle protagonist. Insteadman is a former child star who drifts from day to day, surviving on royalty residuals and voice acting work, whilst his girlfriend is trapped on a space station because the Chinese have placed mines in a lower orbit. Enter Perkus Tooth, an eccentric former music critic who constantly smokes strong weed whilst ruminating over hidden meanings in the numerous popular (and not so popular) cultural artefacts that litter his rent controlled apartment. Chronic City is dialogue heavy and meanders along, dropping conceptual plot hints in-between joint hits that act to both confuse and illuminate; so much so that a significant amount of the first half of the book is taken up with very stoned character interactions, principally between an unruly and paranoid Tooth and the naive fresh faced Insteadman. The narrative waters are further muddied by cynical ghost-writer Oona Laszlo and beardo Richard Abneg, who also happens to work for the mayor of New York. As the novel progresses there is a nagging feeling that something significant is going on in the background, particularly when the principal characters become obsessed with Chaldrons (sic), that exist both in the ‘real’ world of the narrative and in an online simulated realm called Yet Another World.
Lethem plays around obsessively with the notion of layered realities throughout the novel, he just can’t leave it alone. There are references to people who are real, such as Lou Reed and David Byrne, but many more who are fictional, or at least variations on known entities. A band called Chthonic Youth (Sonic Youth, no doubt) is name-checked at one point and I’m sure that the “congenital sidekick” singer/actor Russ Grinspoon that Insteadman and Tooth meet at the mayor’s celebratory dinner is an alternate Art Garfunkel (one who likes to smoke big joints, of course...). Significantly Insteadman buys a book, once owned by Tooth, called Obstinate Dust by Ralph Warden Meeker, which is then thrown into a bottomless conceptual art hole on the outskirts of New York; a literary jape that would not be out of place in David Foster Wallace’s Infinite Jest (1996).
Chronic City is a clever and enjoyable novel, but is diminished by its unwieldy bulk and tendency to be too long-winded. Insteadman, Abneg and in particular Tooth are engaging characters and there is a lot of fun to be had amongst their labyrinthian stoned conversations, if you appreciate that sort of thing; but anyone who is familiar with science fiction tropes as utilized by the likes of, you guessed it, Philip K. Dick will find little to surprise them here. The novel teases and intrigues but unfortunately the plot reveals at the end are rendered mostly ineffectual because they are merely further variations on an all too familiar theme. Despite these flaws I intend to further explore Letham’s work, as long as I don’t fall into one of those conceptual art holes along the way whilst reading Obstinate Dust, whoops...I mean Infinite Jest.
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