Sunday 13 October 2024

Tomas Nevinson - Javier Marias (2021, English edition 2023)

 

Rating: Sublime

I had prior warning that Tomas Nevinson is a superb novel from both a colleague and a library patron, both of whom have excellent tastes. Turns out that they were right. Marias, who unfortunately passed away from covid induced pneumonia in 2022, was considered to be one of Spain's greatest ever writers. He was prolific, producing some sixteen novels, along with short story and essay collections. Apparently he was somewhat of a curmudgeon, complaining about the trials of modern life in his regular newspaper column. Tomas Nevinson is his last novel and is one of those works whose brilliance is apparent within the first few paragraphs. The prose is crystal clear, sophisticated, erudite and compelling. Told, initially at least, from the first person perspective of the eponymous protagonist, the novel is deeply psychological and philosophical, both thematically and literally. The first hundred pages are dominated by Nevinson's musings regarding his past, his present situation as a retired agent (from MI6) and his sunset job as a public servant. He meets his former boss in a park in Madrid, the debonair and sinister Bertram Tupra. Tupra wants Nevinson for one last job. They move to a cafe where Tupra tries to railroad Nevinson into taking the mission, which involves living in a north-western Spanish town called Ruan in order to investigate three women, one of which aided and abetted ETA terrorists from the Basque region. That's all that happens in the first hundred pages, but somehow, despite the glacial pacing and Nevinson's digressive musings, it is utterly compelling and absorbing.


Marias had a massive personal library

Essentially Tomas Nevinson is, like Donna Tartt's The Goldfinch (2013), an example of modern realism, giving no concession to the narrative greed of the modern reader. The pace of the novel adheres to the pace of living as a spy in a Spanish town, complete with the mist that obscures the figures walking back and forth over the main bridge opposite where Miguel Centurion (Nevinson's undercover alter ego) lives, spying on the three Ruan woman via various means.  After the long opening chapters in which Nevinson ponders his life and the way forward in the first person, here the narrative slips seamlessly into third person, until you realise that the narrator is actually Nevinson, referring in the third person to the actions and thoughts of Centurion. It's a skilful and clever sleight of hand by Marias, one that works extremely well, drawing you into the deep psychology of both Nevinson's character and that of his alter ego. Marias characterisations are superb throughout, the metrosexual Tupra is exceptional and, in particular, the husbands of two of the suspects stand out; one a vain and egotistical dandy dressed in lurid suits, the other a conceited control freak, arousing himself erect by play-fighting with his antique swords. Within all of the musings and serious moral themes there's some canny humour to be had.


Pondering The Trolley Problem


Tomas Nevinson is an examination of the moral conundrums of the famous Trolley Problem. The moral complexities Nevinson grapples with is confounding for Centurion (see what I did there...?), but crystal clear for the likes of Tupra and his many and varied associates. It's a complex but rewarding moral maze for the reader to get lost in, always compelling despite frequent slow passages of digression and almost neurotic musings from Centurion. Tomas Nevinson is a companion piece (specifically not a sequel, according to the author himself) to Marias' prior novel, Berta Isla (2017). They stand as individual works, however a library book club member who went on to read Berta Isla commented that it shone useful light of Nevinson's psychology and his back-story with Berta, who is Nevinson's wife. Berta does feature in Tomas Nevinson, but Berta Isla is her story, told from her perspective, allowing the reader to consider Nevinson from the outside, which indicates that it is probably best to start with Berta Isla. As someone new to the works of Javier Marias, I can't wait to read all of his work; at last, another worthy literary author discovered, too late to enjoy him while alive, but I'm sure that his brilliant work will live on.