Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Tuesday, 24 October 2023

Wolf Land - Jonathan Janz (2015)

 

Rating: Admirable

I've been fascinated by werewolves since childhood. Despite watching most of the modern-day werewolf movies made since the 1980s I've never read any werewolf horror, in fact Wolf Land is the first horror novel I've read since I was a teenager in the 1980s. Horror is not really my thing, but in the spirit of branching out I grabbed a copy of Wolf Land when it was discarded by my library. I have to say that I was pleasantly surprised, as Wolf Land is a well written decent into gruesome and gory werewolf mayhem. The novel is nicely set up with the introduction of the principle protagonists who are on their way to a bonfire party prior to a ten-year school reunion. We meet Duane (nicknamed Short-Pump), Savannah, Glen, Mike and the loser of the group, Weezer. They all have their issues, regrets and angsts, mostly around relationships, but for Mike, the big-time baseball player who went off to the big leagues and failed, there's bigger regrets, but that all pales into insignificance when a weird guy turns up to the bonfire and transforms into a werewolf, an impressive one at that. The ensuing carnage is entertaining and ticks all of the werewolf thrill requirements.

Janz handles the balance between character development and horror action well, by the time of the first attacks you feel like you know enough about the characters to care about them before they either die or become horribly injured. The actual horror elements are intense, detailed and gory, but there is enough well played out psychological exploration of the characters in the aftermath of the initial attack to make things more interesting. Some of them, of course, are destined to become werewolves themselves and the way this plays out differently among the group of friends is engaging and satisfying. There are some intense transformation and attack scenes that would satisfy any werewolf fans and the werewolves themselves are massive creatures. Also the usual theme of werewolf origin is handled without too much cliche and enough variation to create something new. However I'm marking the novel down a bit for two reasons, firstly one of the female characters, Joyce, is a librarian, but is a bit of a cliche, she's inhibited, a bit plain and does her research, hmmm. The second is that when things really get going in the latter third of the novel the carnage is unrelenting, getting more and more extreme. No doubt horror fans love and demand this level of gory action, but after a while it becomes a bit cartoonish and loses some of its impact, there's only so many times you can cringe at another eye being gouged or scenes of slaughter with intestines and heads everywhere. Still, Wolf Land was a fun ride and great holiday reading.

Friday, 25 December 2020

The Haunting of Hill House - Shirley Jackson (1959)

 

Rating: Excellent

I've long known about Shirley Jackson, but had never considered reading her until I found out about the movie Shirley (2020), with Elizabeth Moss portraying Jackson. I bought The Haunting of Hill House in preparation for watching the film and it turned out to be an interesting experience. Jackson's style is quite unlike any other authors I've read, although it is difficult to say exactly why. The best I can do is that it is slightly awkward, in that sometimes it seems to be brilliant prose and other times it seems to be, well, a bit contrived. Perhaps this is because one of the principle protagonists, Eleanor Vance, is certainly neurotic, disturbed even, and Jackson takes great pains to alert the reader to this fact. Eleanor is invited to Hill House, along with two others (Theodora and Luke) by the scientifically minded Dr Montague, who wishes to spend some time in the house to experience first hand its supposed supernatural activity. Jackson does set the scene well, with evocative descriptions of the house and the emotional effect it has on the protagonists, in particular Eleanor, who is both drawn and repulsed by its somber gothic architecture.

Elizabeth Moss as Shirley Jackson

Shirley Jackson's version of a haunted house tale has been so influential, it is difficult to imagine what kind of an impact it had when it was originally published. The novel subverts the typical ghost narrative by strongly implying that the true horror lies within the characters psyches, in particular Eleanor, and any actual supernatural occurrences are either happening within Eleanor's head or she is indeed causing the manifestations with telekinetic abilities. I'm not giving anything away here, as such an approach is so common now. Jackson even has some fun satirising the whole idea of paranormal research when Dr Montague's wife and her ultra pragmatic assistant, Arthur, turn up to take charge of proceedings. Mrs Montague's approach is a source of satirical humour in a narrative that is otherwise uptight with neurotic tension. Although by the time I was half way through the novel I still couldn't make up my mind whether it was quality literature of above average pulp, I kept on being drawn back, as if I was Eleanor, both repulsed yet ever more attracted to Hill House's grim endgame. The Haunting of Hill House is a curious novel, at times it seems totally over the top, yet much of the action is implied and the reader has to do some work to make sense of what is actually happening. The novel left me wanting to read more of Shirley Jackson's work, particularly after viewing Shirley, which has now become one of my all time favourite films. Jackson herself was also a fascinating character and I advise reading up about her before you read any of her work or watch the above mentioned film.

Shirley Jackson as Shirley Jackson