The Process - Brion Gysin (1969)

 

Rating: Not Rated

The Process is the first book in about fifteen years that I've abandoned. I have a fairly formal arrangement with my reading self to not abandon books I'm not enjoying, which in part probably stems from the discipline of reading for a book club, particularly as I facilitate the sessions. I lasted one hundred pages before I couldn't stand it any more. The problem? Mostly because I've read too many novels like this one, with narratives that are plotless, predominately picaresque in nature and full of flaneur type characters. I love the Beat writers, in particular the great Jack Kerouac, but Gysin, here at least, does not match Kerouac's flair, technical prowess and wide-eyed wonder at the world. Instead, the main protagonist, Ulys O. Hanson, sets out from Morocco to travel across the Sahara Desert, with no luggage save for a hefty bag of 'Keff' that he smokes continually in a pipe. Apparently Hanson meets with the famous Master Musicians of Jajouka and L. Ron Hubbard along the way, but I didn't get that far, worn down by Hanson's stoned wanderings and descriptions of the desert people, the landscape and the mystical trances those he allows to puff on his pipe go through. It's mildly engaging, but I couldn't get rid of an impatient itch inside me that grew until I couldn't stand it any more. I used the excuse of having to begin the next book club novel to bail.

Gysin and Burroughs with the Dreamachine

Brion Gysin (1916 - 1986) himself was quite an interesting character however, a friend of William S. Burroughs and inventor of the 'cut-up technique' of constructing narrative, of which Burroughs embraced wholeheartedly for a series of startling novels from the 1950's until his death in 1997. Gysin was predominately an artist, poet and performance artist and also inventor of the Dreamachine, a stroboscopic device that induced patterns of colour when viewed with eyes closed. Far out man. The Process is Gysin's main novel, with other publications mostly featuring poetry and short fiction, including The Third Mind (1978), co-authored with William Burroughs. Alas, such a pedigree of creative spirit and connections was not enough to propel me forward through to the end of The Process, so in fairness I'm not going to rate this book, only the second in the ten year history of this blog not to be rated. 

How to Live Safely in A Science Fictional Universe – Charles Yu (2010)

Rating: Unrated

I’m a total sucker for time travel stories, with their wild narrative possibilities that allow for glimpses of the future, or to meddle with the past, producing paradoxes that can bend your mind. Charles Yu’s tale about a time machine repairman, a meta-man called Charles Yu, promised just the kind of time brain-bending thrill I needed. But a curious thing happened – I didn’t connect with the book at all and found the plot to be pedestrian compared to other great time travel related novels, such as Dan Simmons’ Hyperion (1990) and Greg Bear’s Eon (1991).

How to Live Safely in A Science Fictional Universe’s protagonist is a bit of a loser who has escaped his problems by hiding out in his time machine with a pet dog who doesn’t really exist and a computer with a female persona called Tammy. Unfortunately most of the narrative is centered around Yu’s family, most notably his father who toils for years to create the world’s first time machine by working on the theory that human psychology is the key to time travel. Yu goes on to get himself in a spot of bother with a time paradox and has to work out a way around it. What could be intriguing stuff is unfortunately let down by the subdued loser tone and Yu’s endless ruminations about his relationship with his parents. Charles Yu, the protagonist, not the author, is not an engaging character and the novel also suffers from sluggish forward momentum.

I could go on to further criticise the book’s shortcomings, but instead I’ll talk about how being dissatisfied with this novel made me think about the nature of writing and criticism. This is Charles Yu’s debut novel and as someone who is trying to write fiction I know that it’s no mean feat to sit down and put in the hours to actually write a decent story. Yu undoubtedly put a great deal of hard work into this novel and Corvus also believed that it was good enough to be published. But then someone like me reads it and finds it wanting. Every reader is a critic, whether they write about it or not, but how can we be sure of our critical acumen? With any work of art there exists an objective criteria that can act as a critical roadmap for judging its worth. In the case of literature it is not enough to merely state that the book did not engage or that you simply didn’t like it, you need to be sure objectively as to why the book falls short; that your criticisms are not wholly given over to the subjective whims of your tastes. This is why a book like Joyce’s Ulysses (1922) is considered the greatest novel ever written despite the fact most people do not actually enjoy reading it (I’ve met a few who have, but not many).

I am actually comfortable with my conclusion that How to Live Safely in A Science Fictional Universe is flawed due to objective reasons rather than subjective distaste. But there is still a nagging doubt, enough to stop me from giving it a rating. Looking around on the net I found that reader’s reactions ranged from one star reviews right up to five star reviews with raves about the novel’s originality. Did I miss the point of the novel entirely? Was the narrative so clever that all I could notice was some trivial shortcomings that are perhaps commonplace in an author’s debut novel? Did I miss key clues that could have led to an understanding of a complex hidden subplot? This has also made me rethink the plot and wonder if the book is a clever analogy for an individual’s journey through life and therefore space/time? A journey filled with regrets and what ifs that define our psychological landscape.

Perhaps, Charles Yu, I should read your novel again. Perhaps this is the very point of the novel, after all the eponymous protagonist is stuck in a time loop, reading a book that came from the future, a book that Yu is actually writing as he is reading it. A book called How to Live Safely in A Science Fictional Universe. Confused? So am I. Read the book yourself and let me know what you think.