The Year Everything Changed: 2001 - Phillipa McGuiness (2018)

 

Rating: Admirable

I bought The Year Everything Changed: 2001 believing that I knew what would be its main focus, but when I finally got around to reading it, it turned out to be quite different to my initial impression; mostly because the text provides quite a personal examination of the year 2001, which is totally fair enough. Phillipa McGuiness lost a baby that year, a tragedy that can’t help but be the lens through which she views the significant events of that year. Like her personal tragedy, that year’s major events are still playing out as we speak. After a fine introduction McGuinness divides the year into months and then advances systematically. There’s quite a bit of Australian content, which makes a change, but also makes sense, as McGuinness is an Australian publisher and author. There’s an examination of the muted celebrations of Australia’s Centenary of Federation, which, of all the events that occurred that year, I’d completely forgotten about. After reading about the unsuccessful attempts at whipping up some public enthusiasm, I’m not surprised. More significantly there are thorough examinations of the Howard government’s weaponisation of the Tampa Affair (‘children overboard’) as a means to demonise asylum seekers and immigrants in general into an election winning ploy that the Coalition used to their advantage for decades. There’s also the dot-com bubble and the emergence of early tech-bro dominance in the form of Google (founded in 1998, but really got going by 2001) and Apple, having launched the iPod in that year. McGuinness also muses over John Howard’s obsession with Don Bradman and the emergent revelations of widespread sexual abuse by Catholic priests. It's all pretty serious, but interesting, stuff.

The one event that overshadows everything else that happened in 2001 is, of course, the 9/11 terrorist attacks. It’s one of those events where everyone alive at the time can remember where they were and what they were doing. 9/11 is the THE major event of 2001 that echoes through the subsequent decades. McGuinness handles it well, her style sitting somewhere between formal and informal, mingling the personal with the factual and getting into the raw exposed nerves of the tragedy. In Australia, due to the events of 9/11, John Howard invoked the ANZUS treaty and went all in with the Bush administration’s determined efforts to root out the perpetrators in Afghanistan. One of the main impressions I went away with after reading The Year Everything Changed: 2001 is a strong reminder of just how reprehensible the Howard government was. The moral and ideological failings of the Howard era have been subsumed by the successive horrors of the Abbott, Turnbull and Morrison Coalition governments and the relative failings of the Rudd and Gillard Labor governments. The Year Everything Changed: 2001 provides a timely reminder that John Howard’s conservative neoliberal ideology helped create many of the problems that plague Australia now. Despite sometimes finding The Year Everything Changed: 2001 a bit dry, I did enjoy reading it and it can be seen as a successful attempt at examining that pivotal year from a unique perspective. 

Cinema Speculation - Quentin Tarantino (2022)

Rating: Excellent

Quentin Tarantino has always come across as someone who can’t keep his mouth shut, most recently he’s been rounded on for his description of Paul Dano as the worst living actor in America, among other more colourful insults. If you’ve heard Tarantino talk then you know that he is an enthusiastic and opinionated motormouth and when you read Cinema Speculation you can’t help but hear his voice, which, ultimately, is a good thing. Cinema Speculation is a blend of memoir and critical appraisal, beginning with ‘Little Q Watching Big Movies’, in which he talks candidly about his childhood brought up by his mother and being taken to the movies by her and his stepfather, and then a succession of boyfriends. Basically, Tarantino was taken to see movies in the 60’s and 70’s that he was far too young to see, and this then informed his approach to making his own movies. It’s a fascinating opening chapter, setting the scene for a foray into his favourite movies between 1968 and 1981. This is film theory, but not the kind you’re used to, it’s fast paced, both irreverent and reverent, taking no prisoners with opinions blasted from the gun used by Clint Eastwood in Dirty Harry (1971). Tarantino starts with Bullitt (1968), a Steve McQueen feature, in which he riffs on the leading male actors of the time, claiming that Elvis could have been up there with the likes of McQueen and Paul Newman if he’d taken his movie career more seriously. Such conclusions are a feature of Cinema Speculation. Dirty Harry (1971) is next and there’s no stopping Tarantino’s motormouth and at only the third chapter in you are caught up in his endless enthusiasms, wanting to see these movies again, to see them through his eyes, with his voice running through your addled brain.

Steve McQueen as Bullitt - 1968

During each chapter he references many other actors and movies, most of them obscure and lost to time, but kept alive by cinephiles just like Tarantino. This is the kind of book to have a notepad by your side to write down all the obscure movies he mentions for later viewing. Cinema Speculation is totally digressive, but all the better for it. It’s an invaluable insight into what became known as ‘New Hollywood’, when actors and styles that had been rusted on were swept away by the likes of Brian De Palma, Martin Scorsese, Steven Spielberg (whom Tarantino refers to as a genius) and Francis Ford Coppola. There’s a chapter entitled – 'New Hollywood in the Seventies' that is brilliant. Tarantino loves these directors, but throughout the book he really champions the ‘Grindhouse’ and the ‘Revengeorama’ sub-genres that existed in the darker realms of movie-houses. He writes great pieces on the likes of Deliverance (1972) and Taxi Driver (1976), but also on the more obscure likes of Rolling Thunder (1977) and The Funhouse (1981), movies made by smaller studios and risk-taking directors. It’s these movies that Tarantino talks about that really make Cinema Speculation something special, to the extent that I’m going to try and watch as many of these movies as possible. They are out there, existing in the search engines of lesser streamers like Tubi or floating around in the piles of DVDs that are filling up op-shops these days (people are dumping their physical media in their droves). Ultimately Cinema Speculation leaves you with a deeper understanding of where Tarantino came from and what informed his stylistic choices when it came to his own movies. I don’t love all of Tarantino’s movies (I’m one of the few people who aren’t partial to Reservoir Dogs (1992), for example), but I do believe that he is one of the most significant writers and directors around. If you have any interest in cinema history or Tarantino, then Cinema Speculation is well worth the read.

We Could Be...Bowie and His Heroes - Tom Hagler (2021)

 

Rating: Admirable

I find it hard to resist a good Bowie book and when We Could Be...was returned across the counter at my library I, predictably, took it home. Since Bowie died, now approaching ten years ago, there have been a multitude of Bowie books, all with their own angles in an attempt to get away from just a straight Bowie biography. This one collates an array of meetings that Bowie had with other significant people in the public sphere, in music, film, art, fashion and politics. It is arranged chronologically, starting with Absolute Beginner: 1947-1969 and ending with The Next Days: 2005-2016. For a hard-core Bowie fan like me the early years were the most interesting, for example I never knew that Bowie hung out with Brian Jones during the Rolling Stone's early years; that Bowie, as Davy Jones, was invited into Paul McCartney's home and they listened to an acetate of one of Bowie's songs; or that Ridley Scott directed the ad for 'Luv ice lollies' that featured Bowie in 1969. As the eras roll on the anecdotes become more familiar, although there are still many nuggets of unknown incidents to be found. The writing style is fairly informal, but good enough to carry the stories of Bowie's interesting meetings with other well known people. There's a smattering of photographs, most well known, among a few that are relatively unseen. Over all it is a handsome, well presented Bowie book.

Bowie and Visconti, circa 1979, getting their facts straight

Tony Visconti, Bowie's friend and significant producer throughout his career, is noted on the cover as being a 'consultant editor'. Apparently, as indicated in the introduction, Hagler managed to get an early draft to Visconti to read and he offered insights and corrections, saying that his input was based on what Bowie had told him directly. This does seem to give particular credence to the veracity of the stories, however, I was disappointed to note some oversights. I know it comes across as churlish to point out mistakes, but in a book like this it has the effect of the reader not being as trusting when it comes to some of the less well known encounters. Firstly, there's the account of the reasonably well known meeting in which Bowie mistook Doug Yule for Lou Reed when he attended a Velvet Underground gig in New York in 1971 (Reed had left the band by that stage). It's a humorous, and true story, however Hagler notes that it was supposedly John Cale who answered the stage door and let Bowie inside. John Cale had long left the band (in late 1968), with Doug Yule becoming his replacement. Cale was certainly not in a version of The Velvet Underground that didn't include Lou Reed. Strangely there is then no mention of Bowie meeting and hanging out with John Cale later in the book, in particular in New York, where he and Cale jammed together, something documented on some rather dodgy bootlegs. It's an odd oversight in the context of the thematic thrust of the book. Another error comes later, regarding Nagisa Oshima, who made the film Merry Christmas Mr Lawrence (1983); when shopping around for an actor to play a British POW he saw Bowie in an TV ad for Pepsi, also starring Tina Turner. Except unfortunately this ad didn't appear until 1987, when Bowie advertised Pepsi in a deal to help with the expenses of touring the Glass Spider Tour. I think the actual ad the director would have seen Bowie in was one he did in the early eighties for a brand of Japanese sake, which featured the amazing instrumental Crystal Japan (1980), but not Tina Turner. Finally, in the section covering the 1990s, Hagler notes that Bowie had written the song I'm Afraid of Americans (1995) with Trent Reznor, but the co-writer was Brian Eno. Reznor did a remix or two of the song, toured with Bowie and starred in the video, but there was no co-write. Now I feel really churlish! But, despite being a fine book, these oversights, as a hard core Bowie fan, mean that I question other stories that I've never encountered before, despite Visconti's involvement. Despite this the book is worth a read for Bowie fans overall, regardless of my nit-picking.

A Personal Epilogue

We Could Be... is all about Bowie encounters and what it was like for himself and the significant others he met throughout his life. As a fan I had my own encounter in 1987 in Sydney, where I attended four of the eight Glass Spider shows. I was hanging around the entertainment centre and walked past an area near the backstage. There was a cyclone fence running between the back of the centre and a multi-story car-park. A few people were hanging about and one told me that they knew that Bowie was going to arrive for a sound-check shortly. He did indeed, and the experience of meeting him was surreal. He stood about 30 centimetres away from me on the other side of the fence, wearing a black fedora hat and a suit. He signed a page from a book I'd managed to convince someone to rip out of a Bowie book they had with them (I had nothing with me). I can't remember what I said to him, nor what he said to me, but I remember that it evoked a feeling like you get from having a beer on an empty stomach. I also remember that he was friendly and polite, totally relaxed and his skin was so white that it was almost translucent. It was a thrill to meet him and still feels surreal today, like it happened in another realm, despite the physical evidence of the signed page hanging in a frame on my wall. A great experience - I was among those who met Bowie and I'll always treasure it. That day I also met Carlos Alomar, one of Bowie's great and important collaborators, having played guitar on countless Bowie classics. Now he was a dude, exuding lots of fun and enthusiasm as he jumped around in his black leather stage attire. A great day all round.

Sound Man - Glyn Johns (2014)

 

Rating: Excellent

When Peter Jackson’s long-awaited re-fashioning of The Beatles Let It Be footage emerged in 2021, retitled Get Back, it was a revelation. The three-part documentary totally recontextualized the original film, featuring hours of unseen footage. Glyn Johns had worked on the sound recording part of the project and he remarks in Sound Man that when Allen Klein become The Beatles manager, he wanted only The Beatles to feature in the film, which Johns reflects was a pity, as it meant that he wouldn't feature. One of the highlights of Let It Be was seeing Johns working with the Beatles and parading around in sartorial splendour, out doing even The Beatles themselves for elegant cool. Sound Man details working with The Beatles during this era, and it is fascinating stuff, but it was only a small part of Johns career, which saw him working with some of the most significant artists of the 60s and 70s, such as The Rolling Stones, The Small Faces, The Faces, Led Zeppelin, The Eagles and The Who. Sound Man is both Johns story, beginning from his early years and how he managed to get into the cloistered world of English sound production in the early 60s, and a cultural history of one of the most amazing periods in musical history. It's worth reading for this fact alone. 

Johns at work, circa late 60s

Johns writing style is economical and to the point, but with a light touch that is highly readable. He is also honest about the lows of his career and certainly does not come across as an egotist. The book is chronological, yet also moves back and forth in time when needed, as Johns worked with many of the artists over a span of decades. There’s plenty of great stories among the making of many significant albums. One that comes to mind was when Johns suggests to Keith Moon that he gives up drinking so he can manage demanding drum parts and he fires back to Johns that he was just as bad, smoking cigarettes constantly. So Johns suggest that they both give up their vices, which Johns duly did, but, of course Moon did not and went on the cause more chaos with his drink fuelled capers, many of which Johns details in Sound Man. Engineers and producers like Johns don’t really exist in today’s world of digital and fragmented recording techniques. Johns recorded many of the bands playing together in a room, with overdubs later to correct or flesh out the songs. Johns does lament the passing of his type of recording and producing (as does the likes of Tony Visconti, who when asked what modern producers he admired a few years ago replied, “None”), however he does still work occasionally and as evidenced by this book, he will be remembered as part of musical history due to the sheer number of amazing albums he worked on. I recommend Sound Man to any reader interested in the great music of the 60s and 70s and musical history in general. Sound Man is a classy book, well written and is absolutely fascinating. Makes for good holiday reading, or for when you are recovering from Covid, as I was when I read the bulk of it. The book also made me want to listen to the albums in question again, many of which have been done to death, which can only be a good thing, as I really think that the 1970s was the greatest decade in modern musical history.

Bee Gees: Children of the World - Bob Stanley (2023)

 

Rating: Excellent

Many years ago I became a casual fan of the Bee Gees, specifically their 1969 album Odessa, a double album that is eccentric, over the top, fascinating and, as I concluded after a while, pure genius. Over the years I've bought quite a number of their albums second hand and have become a big appreciator of the Bee Gees unique musical world. Their albums are still cheap to buy, despite second-hand vinyl prices rising in general due to the demand generated by a new generation of collectors and vinyl lovers, because, well, the Bee Gees are still pretty uncool. They may be uncool, but the reality is that they were song-writing geniuses. Children of the World delves deeply into both the Bee Gees personal lives and their music, with the emphasis on their music. Somehow Bob Stanley has managed to give the reader a well rounded sense of the Bee Gees as people, whilst mostly being concerned about their music. Stanley notes that the three Gibb brothers, Maurice, Robin and Barry, were basically outsiders, despite their stellar commercial successes. They lived in their own hermetically sealed world, for example, he points out, that even their version of disco was very different to that of other acts disco; in one of Stanley's many great lines, he compares Bee Gees disco to a wafting summer night's breeze, as opposed other acts disco, which he describes as like stepping into the oversaturated perfume section of a department store. In telling the Bee Gees musical story, from the Isle of Mann, through to their decades of both slumps and global dominance, Stanley writes supremely well about music. To convey both the technical aspects of music and its intangible magic, is a very difficult thing to do without resorting to cliches, but Stanley manages it. Essentially Children of the World is perhaps the best music book I've ever had the pleasure of reading.

Odessa - eccentric brilliance

One of the things that Stanley does best is make you want to hear the music he's talking about, so be prepared to be listening to the Bee Gees a great deal whilst reading. It is double the pleasure basically. Stanley also begins each chapter with a rundown of either the US top ten chart, or the UK top ten chart, which gives the reader great context regarding the musical world the Bee Gee's were existing within. The thing that Stanley convey's really well is just how unique the Bee Gee's were, there is nothing else like them in the history of popular music really. It is best to read this book, as it is difficult to explain this adequately within a few words, however, to give it a go, the Bee Gees were kind of kooky, eccentric and unhindered by the kind of restraint that rendered many other commercial acts of their era banal. Actually to understand the Bee Gees unique appeal it is best to start listening to them properly, not just their many hits; albums like Idea(1968), Odessa (1969), Cucumber Castle (1970), To Whom it May Concern (1972), Trafalgar (1971) and Main Course (1975) would be good starts. The story of the Bee Gees is one of true graft, they worked really hard, sheer musical talent and also personal and family troubles and tragedies (no pun intended). Andy Gibb's story is also included, which is both inspiring and very sad. Like Brain Wilson, Barry Gibb has ended up being the last brother left in the family, with the premature deaths of Maurice and Robin. Stanley has been criticised for paying scant attention to their deaths in the book, but he deals with their deaths with taste, and besides, it's mostly all about their lives and their music. Another criticism is that there are no photos included, however this is barely noticed, as Stanley's writing is so good images are rendered unnecessary, besides, that's what the internet is for. Essentially Children of the World is a must for Bee Gees fans, and if you are a casual admirer of their music, reading the book will turn you into a big fan, which is one of the best things that could happen to you frankly, just make sure you don't care about being cool.

The Bee Gees in action, circa the late 1960's

David Bowie: Rock 'N' Roll With Me - A Memoir - Geoff McCormack (2023)

 

Rating: Excellent

Imagine growing up as a close friend of a man who would become the most influential rock star ever, well Geoff McCormack was lucky enough to be a close friend to David Bowie for most of his life. Luckier still McCormack had some talent as a singer and percussionist, which gave Bowie the opportunity to invite him along on tours as both a buddy and a band member. For this reason core Bowie fans have long known about McCormack and this makes the book a welcome edition to the huge amount of Bowie books out there, rather than just yet another product of the Bowie economy. Originally published quite a number of years ago in a deluxe, autographed edition, this is one for the masses. Essentially McCormack's memoir, from childhood to now, Rock 'N' Roll With Me comes across with lots of charm, but not as much detail as one would think, at least in terms of the professional workings of Bowie and his music. The book reads more like a travelogue, more impressionistic than detailed oriented. However the content is still fascinating and unique, with plenty of great stories about travelling with Bowie, being a touring musician and having lots of fun along side the great man. Although McCormack was, as mentioned, lucky enough to both work with Bowie and be his close friend, you come away with the impression that Bowie was actually the lucky one, with McCormack being a very good friend indeed.

Bowie and McCormack in Russia

Perhaps the main draw of Rock 'N' Roll With Me is the amazing array of photos taken by McCormack himself, having taken up photography in parallel with traveling with Bowie. There's many not seen before, taken while traveling through the former Soviet Union via the Trans-Siberian Express, on several American tours, the making of The Man Who Fell to Earth (1975) and the Station to Station (1976) album. McCormack is a natural when it comes to photography, the photos are not merely snapshots, but are professionally executed. Bowie and McCormack remained friends until Bowie's untimely death in 2016, so there's chapters about Bowie and Iman's wedding, Bowie's fiftieth birthday gig at Madison Square Garden in 1997, hanging out at Bowie's apartment in New York with he likes of Lou Reed; and finally, an account of their last communications, which is both touching and sad. The book ends with an afterward written by Bowie in 2007, during a period when he had mostly retired from public view, in which he asks "Will you actually be able to get this stuff published do you think?". For Bowie fans Rock 'N' Roll With Me is an essential book and it is presented beautifully in a hard-back format with quality photographic reproductions. 

From the Station to Station sessions

Novacene: The Coming Age of Hyperintelligence - James Lovelock and Brian Appleyard (2019)

 

Rating: Excellent

James Lovelock was an important scientist who, among many achievements, saved humanity with his discovery (using one of his inventions) that CFCs were building up in the atmosphere and damaging the ozone layer. Lovelock also posited the Gaia Theory, that Earth is a self-regulating, synergistic system in which life maintains a habitable environment for itself, co-evolving with the inorganic environment in order to keep the planet cool, despite Sol's efforts to the contrary. The ideas behind Novacene go beyond organic life on Gaia toward the claim that the ultimate evolutionary endpoint for Earth will be cybernetic life based on information, which does seem to be the universe's universal currency. Lovelock refers to this soon to arrive era as the Novacene, despite the proposed current era of the Anthropocene not having been fully accepted as yet. Despite the small page count, Lovelock takes his time to explain his background reasoning, moving through his thoughts regarding life in the universe (he feels Earth contains the only existing life - I disagree), the meaning of our existence (we are are universe knowing itself - an idea I've always have been attracted to) and Earth's battle to contain the heat threat via its Gaian systems, something humanity is fast despoiling, which could be the end point of the Anthropocene I feel, although Lovelock begs to differ. According to Lovelock cybernetic life will, rather than destroying us, want to work with us in order to keep Gaia from overheating, an outcome he reasons would be just as bad for them as it would be for us.

Lovelock's thought processes and theories are fascinating and logically extrapolated. Lovelock genuinely believes that humanity will be the creators and midwives of cybernetic life which will exist on such a superior plane to us that we will be regarded in the same way that we regard house-plants. Such notions have been well explored by others, that AI's processes will take place at such accelerated levels that we will be more than redundant, however Lovelock's assertion that cybernetic AIs will want to keep us around goes against many accepted (pessimistic) theories on the subject, but his reasoning on this subject appears fairly sound and persuasive, although I don't agree with everything. Since Novacene was published we've seen the emergence of ChatGP and other such (for the moment) primitive AI systems. They are crunching information at frightening rates and interacting with humans in a sophisticated manner, however they are still not real AI, not conscious, self aware entities (that Lovelock pictures as spheres). Within this current context Novacene is a fascinating book and should be read by anyone interested in AI or the future of humanity. Along the way we also learn that Lovelock inadvertently held Stephen Hawking in his arms as a baby, was an advocate for nuclear power, but also that he was an extremely moral human, whose contribution to humanity was profoundly significant. Lovelock lived to be 103, but not long enough to see his Gaian Theory become accepted, nor to see humanity come to grips with human-caused climate change, but I hope he is correct about AI needing us around. Perhaps among the intractable problems that AI could help solve is the best and fastest way to terraform Mars, a planet Lovelock describes are totally inhospitable to life and a pipe dream for humanity. Then we would have the insurance of two homes. Although I hold no optimistic hope for humanity, you never know, maybe our future spherical AI overlords will really help us out.

This review is dedicated to my friend Eileen Bogart, who enthusiastically attended my library based book clubs and engaged with me with genuine warmth. Novacene was one of the many books she gifted to me before she passed a few months ago. I'll always remember you fondly Eileen, you were both interesting and interested, a quality not always found that readily among humans.

God is not Great: How Religion Poisons Everything - Christopher Hitchens (2007)

 

Rating: Admirable

For a long time I avoided reading any of the works published by well known atheists (personally I'm in a position beyond atheism, but more on that later), such as Richard Dawkins, but having never read any of Hitchen's work, and knowing that he copped a great deal of heat for his atheistic views over the years, I thought I would find out just how against the notion of god he was. Turns out he was quite extreme in his atheistic views and God is not Great is an all out attack on organised monotheistic religion (eastern religions also come in for some flack as well). Some of the chapter headings certainly make his position clear, such as 'Religion Kills', 'The Metaphysical Claims of Religion are False' and 'Is Religion Child Abuse?' His argument style is forceful, compelling, but not always to the point. Hitchens frequently labours his arguments, but on the whole he hits home with quite devastating critiques of core religious notions, such as that humans need religion in order to lead moral lives. His takedown of the ten commandments is something to behold, arguing that some of the commandments actually existed to encourage bloodletting and racist behaviour (in particular within the context of the historical tribal origin of said commandments). Hitchens explores many of the inherent contradictions and problems found within religious belief - bigotry, homophobia, hostility toward scientific progress, misogyny, coercion, in particular toward children, and its righteousness and intolerance toward other modes of thought and ways of living. At one point he argues at length that monotheistic religion has a close affinity with totalitarianism, making some salient points to support his controversial thesis. If I were religious I'd find the book to be a direct attack on my very being, fortunately I'm not, so I quite enjoyed it.

Proof that god does not exist.

God is not Great is not without its flaws however. Although Hitchens does, at times, show some levity toward the more reasonable aspects of religion, he does, on the whole, focus on its extremes; righteous evangelism, war in the name of god, targeting of homosexuals and so on. Although I'm a long time atheist I can see that religion has done some good for humanity (the bad far outweighs the good however). Hitchens also comes across as a true essayist, rather than an academic, blending opinion and facts (some of which are potentially incorrect - although many of the critics pointing this out wrote for religious journals it seems); he very much writes with his own voice, for better or worse. This sometimes involves coming across as arrogant or pompous, in particular when he uses overly emotive insults when describing certain people, referring to them as 'ludicrous mammals', 'pathetic' or 'absurd'. Hitchens is unrestrained in his distain, which is understandable, but it can come across as unnecessarily strident at times. Still, these are minor quibbles, and God is not Great stands as a decisive lancing of the purulent boil of monotheism, done in the most painful way imaginable. As for me? Well, about four years ago I went from being an atheist to embracing existential nihilism and have been much happier ever since. Essentially not only do I believe that humanity has no viable future, but also that humans have no inherent worth, if we became totally extinct it just wouldn't matter at all, the universe would not care. It's very freeing and I advise it for any free-thinking individual. It doesn't mean that you don't care about people, life, or being fulfilled, it just means that if it all ends, then what of it? I'm sure Hitchens would have approved had he lived, however both he and his close friend, Martin Amis, have died, two of the greatest godless literary buddies in history. RIP, but not in heaven or hell...

Proof that god does exist?

15 million Degrees: A Journey to the Centre of the Sun - Professor Lucie Green (2016)

 

Rating: Excellent

Without gravity there would be no solid matter in the universe, just energy and particles floating around, and without stars there would be nothing but hydrogen, helium and lithium, elements formed shortly after the Big Bang. Many of the heavy elements we find in the universe today are forged within stars like our sun, Sol. I've always regarded stars with some fascination, they are the alchemists of the universe and, in the case of Sol, the source of the energy that life has needed to evolve and flourish on Earth. Really, if humans really must have gods, its the creative forges that are the stars. 15 Million Degrees is a thorough overview of everything you need to know about our Sun and more, including the pioneer scientists who slowly built knowledge about Sol, not just in the core where fusion occurs, but also in the other layers of the Sun, all of which have their own characteristics and complexities. Without going into detail (it would be best to read this book), the Sun is an extremely complex object with features such as the photosphere, the corona, the heliosphere and the magnetosphere. There's convection zones, sunspots, plasma, the radiation zone, and my favourite, the flux ropes, which are magnetic field lines that have been twisted by the intense movements of the Sun's rotation, trapping the plasma and taking it on a wild ride. 

Just some of the Sun's structural features

Professor Green is an engaging writer, conveying not only her own enthusiasm and research about Sol, but also everything that is known about the Sun and what is theorised but not proven as yet. The chapter about sunspots is particularly fascinating. Sunspots can be readily observed and it turns out that they reveal a great deal about how the Sun functions, including the Sun's eleven year cycle of activity and how it behaves magnetically. There are many facts about the Sun that would astound the average person, for example, the heliosphere helps to shield the Earth from interstellar radiation, which would otherwise damage DNA and possibly make life untenable; essentially we live inside the atmosphere of the Sun. Coranal mass ejections are another incredible phenomenon, as the Sun's magnetic forces eject mass equivalent to that of Mt Everest from the surface of the Sun and into the solar system. Known as space weather, such phenomena can have profound effects on Earth and if one should directly interact with Earth at this point in history, then most of our electronic equipment would suddenly cease to function, fortunately temporarily, but with great cost to the economy. My only real criticism of 15 Million Degrees is that there could have been more photos and plates throughout, in particular a better map of the different parts of the Sun for easy reference. Otherwise this is an absorbing and illuminating read, no pun intended, but you get it anyway.

The Flaming Cow: The Making of Pink Floyd's Atom Heart Mother - Ron Geesin (2021)

 

Rating: Excellent

I'm a big fan of Pink Floyd and recently I've been listening to them once again, getting my prog fix in a serious way. I replaced some of my second hand copies of their albums, including Atom Heart Mother (1970). I hadn't listened to it for quite a while, but when I did something special happened, I heard it in a new way that resonated with me deeply. Since then I dug out my Early Years: 1965-72 (2016) box set, which contains many different live and early versions of Atom Heart Mother, some of which are referenced in The Flaming Cow. As Geesin, a Scottish musician and composer, points out, when we talk about Atom Heart Mother we talk about the track itself, which takes up all of the first side of the album it is named after. Geesin was brought in by the band to help them finish and embellish an early bare-bones version and had him write and arrange new parts, which included brass and a choir. In the end there was some unhappiness about the way in which Geesin was credited, which is alluded to by Geesin in this book and also by Nick Mason, who has written a forward, mentioning how he had to contend with the notion that he and his colleagues may have behaved in "...a less than saintly way." In the years after the album was released the band ceased playing Atom Heart Mother and then both Water and Gilmour publicly disparaged the track, referring to it as an artistic low, which is a pity, because it is a unique work with qualities that become apparent the more you listen.

Geesin, back in the day

The Flaming Cow gives you some background of Geesin's life and work, a chronological overview of how the collaboration came about, the making of the track and the aftermath. Geesin's recollections are thorough and detailed, but it is a pity that, apart from Mason's forward, there are no contributions from the other band-members, despite being invited to do so. Therefore everything comes from Geesin's point of view, which is really only part of the story. This means that details about the actual making of the track, before Geesin was invited to contribute, is a bit sketchy. As I read through these sections I couldn't help but wish that Pink Floyd had contributed, but then, to be fair, this is Geesin's story and what an eccentric story it is. Geesin's writing style is witty, erudite and, at times, gnostic. I had to re-read some passages for a second time to make sure I was understanding what he was saying, although most of the rest is clearly written. Geesin is certainly a creative fellow and you can't help but admire his dedication to Atom Heart Mother, both the music and the story. There's also many fine and rare photos, most of which I've never seen before. It seems that, despite Pink Floyd's dismissive attitude, the work has enjoyed a rich afterlife, sought out by performers and listeners alike. After all, it was the band's first number one album and a significant portion of fans would hold it close to their prog-loving bosoms. People who are already fans of the album should seek out The Flaming Cow for its unique perspective from one of its creators, for others its subject matter would be esoteric and obscure, therefore if you are interested listen to the album first and really get to know it. You may or may not love it, depending on your musical bent, but I thoroughly recommend it.

Floyd at work - one of many rare photos

ABBA: The Official Photo Book - Jan Gradvall et al. (2014)

 

Rating: Excellent

"Anybody could be that guy...", and indeed, I became that guy who wasn't a fan of ABBA and then suddenly became one. About five years ago a friend's partner posted a video of the band on Japanese television from the late seventies performing If it wasn't for the Nights (1979), and for some reason, even though I did like some of their well known singles, it was this track that caused me to start listening to them more seriously, and then I was hooked. It's often the case with me that I fully explore an act's discography, purchasing all of their albums and obsessing over rare songs and all the different phases. I picked up this book very cheaply at a Dymocks pop-up store for something like $20. It's an extremely good quality coffee-table book, with thick glossy paper and a stylish layout coupled with quality photographs. ABBA wrote the forward, talking about how they loved the time they had in the band and that many of the photo's they hadn't seen before. As with everything ABBA, it's very heartfelt.

Fun in Sweden!

The band's history is laid out chronologically, from before they became ABBA, all their albums and tours and then the aftermath of the beginning of their hiatus in 1982. Due to the date of publication it does not include the totally unexpected comeback album and virtual live show of recent years. The text is relatively minimal, but is well written and contains many anecdotes and obscure facts about the band and their work. Where the book really shines is with the hundreds of fantastic photos, many of which show them in their homes and behind the scenes. If you are an ABBA fan then this book is essential just for the photographs alone (600 of them!). Looking at the photos I'm reminded of something that occurred to me as I explored their particular brand of pop music, that they didn't care at all about being cool. They were totally themselves and sometimes they looked right on, and other times they looked completely daggy. A similar thing can be said about their music, but the daggy songs are just as good as the exulted ones, simply because they were being ABBA. That's what this book is, totally ABBA.

Early on

Helgoland - Carlo Rovelli (2020)

 

Rating: Excellent

Carlo Rovelli is an Italian theoretical physicist who has written a number of fascinating books about quantum theory, some of which are still languishing unread in my collection, but I bought Helgoland recently on a trip to Melbourne and, for some intuitive reason, I needed to read it now rather than later. I'm pleased that I did. Rovelli is an important physicist who has worked on the problem of linking classical physics with quantum physics, developing the theory of loop quantum gravity (not the subject of this book). Helgoland begins with Werner Heisenberg's allergy lead retreat to the German island of Helgoland in 1925, where he worked on the the mysteries of atomic behaviour and came up with the observational interpretation of quantum theory. Such insights led directly to the famous thought experiment by Erwin Schrödinger concerning the cat in the box that could either be alive or dead until it is observed. Here's where Rovelli comes in, with the relational interpretation of quantum mechanics, which helps to deal with the problem of reality needing an observer in order to collapse the probability wave functions of the quantum realm into solid observable 'reality'. Confused? Well, first I'd advise you to read one of the best books about quantum theory for the lay-person, Quantum Theory Cannot Hurt You by Marcus Chown (2005), and then read Helgoland. Cutting to the chase, however, relational interpretation posits that as quantum objects interact with other quantum objects, they are 'observed' in the course of interacting. Reality is like a hall of mirrors. In this regard Rovelli's arguments appear sound and compelling.

Heisenberg, had bad allergies

Rovelli is a fine writer, able to convey difficult concepts in a way that can be deciphered by the average person. In my opinion getting some kind of grasp on quantum physics is essential for having a deeper relationship with the universe, and therefore, reality. Rovelli also ventures into philosophical territory, but in a manner that avoids potential eye-rolling. The characters than founded quantum theory are also fascinating characters, Heisenberg, Bohr, Born, Einstein, Engels and Schrödinger, among others, are worth reading about in their own right. Rovelli touches upon these physicists in regards to how they reacted to Heisenberg's insights (that were then backed up by experiments), and it is a compelling story, one that continues today, as Rovelli is just one in a long line of thinkers to tackle quantum mechanic's mysteries. If the relational interpretation of quantum mechanics is correct, then the implications are massive, including doing away with the need for an observer (in terms of humans, life and 'God'). It also, quite possibly, makes the concept that all probabilities exist all at once, with most hidden in parallel universes, redundant. It's a theory that always seemed ridiculous to me. In any case, although Helgoland does not need someone to be reading it for it to exist, go out and buy a copy and give it a read, it will spark those synapses and change the way you view the world.

Helgoland, had no pollen

Rubicon: The Triumph and Tragedy of the Roman Republic - Tom Holland (2003)

 

Rating: Excellent

At the tail-end of my recovery from a hip replacement I felt that some hard-core history reading was in order, and in fact that is a good modern phrase to sum-up the Roman Republic - hard-core. Rubicon takes us from the foundation of Rome in 753 BCE to 14 ACE, and throughout the Roman Republic is revealed as an intense example of all of humanity's worst attributes; hubris, arrogance, cruelty, a whole litany of negative attributes basically, but it is not all bad, as Rome helped give Western culture a fine political and societal framework to improve upon. It's pointless here it try to go into Roman history, but what really stood out is just how similar the modern world is to that of Rome's, in particular the USA. Both feature ego-driven political figures bent on stamping their authority on the world, expecting to bask in the glory of success and have the populous love them for it. A Roman figure such as Pompey has a modern equivalent in Donald Trump (except the Pompey actually did some work, like subduing Asia Minor). In fact there were plenty of Trumps in the Roman world, whipping up mobs to intimidate political rivals and attempting to use the law to bend the republic to their will. Both civilisations feature political back-stabbing, military might, the use of the court of law for political ends, vast inequality, unchecked hubris and assassinations. Would we really expect much to change in just two and a half thousand years? It's long been a historical cliche, but essentially we are Romans, just with better technology with more checks and balances in place that give us some higher ground morally.

Pompey the Great, Rockstar General

As for the quality of the book itself? It's right up there with the best I've ever read in terms of history books. Holland delivers the story of the Republic in great detail, but with a verve that reflects the drama of such a dynamic and tumultuous civilisation. His writing is not overly academic, but is nowhere near being dumbed down for popular consumption, it's classy writing basically. Holland delves deeply into such matters as the Roman Senate, populated with the significant historical figures from that period, such as Cicero, Sulla (whom I was unfamiliar with) and Augustus Caesar, who led the way forward out of the Republic and into Empire after the assassination of Julius Caesar. Aside from the Republic's political life, Holland does an excellent job at placing you in the heart of Rome, in its streets teeming with citizens and slaves, from the exalted individuals from noble families and the peasants living in squalor in the narrow market thoroughfares. One aspect that really stood out was the status of military generals, such as Pompey, who were tasked with taking out leaders from neighbouring regions before they could pose a threat to the Republic, if successful they were like rockstars or celebrities, treated on their return to Rome with parades and granted status and wealth. Despite this Holland reveals that whilst the Republic needed figures such as Pompey to build their empire, there existed inherent boundaries that kept such figures from becoming too powerful and endangering what was ultimately a democracy, until, that is, Julius Caesar crossed the Rubicon River in northern Italy and swept all before him, beginning the end of the Roman Republic. Once again here lies historical echoes of present day America, caught in a fight between fascism and democracy on its own soil. What will future students of history be reading about our current time and will they be musing over historical parallels with the ancient world? Unfortunately it looks probable at the moment.

Lives of The Stoics: The Art of Living from Zeno to Marcus Aurelius - Ryan Holiday and Stephen Hanselman (2020)

 

Rating: Admirable

I bought this book at the beginning of my three weeks off of work in April before I had my hip replacement. It caught my eye because I've always been interested in Stoicism and also I felt that a certain degree of stoicism got me through the one year wait I had to endure to have the surgery. There is, of course, much more to Stoicism than just being resilient and happy despite one's circumstances. There are ethical considerations, along with justice, virtue and the use of logic free of subjective bias. A principle aim of Stoicism is to be free of the baser elements of human emotion, such as envy, jealousy, anger and to work hard toward one's betterment and the betterment of others. The Lives of the Stoics doesn't exactly explain stoicism in such simple terms, rather it illustrates the tenets of Stoicism via the lives of its exponents in the ancient world. Stoicism began in Ancient Greece in the third century BCE when Zeno the Prophet arrived in Athens, poor and down on his luck after losing everything in a maritime Mediterranean storm. Zeno's story here is merely the beginning of Stoicism as a philosophical movement, which then unfolds chronologically over the course three hundred plus pages, many centuries and dozens of historical figures.

The early Stoics hailed from or ended up in Athens. Due to the historical era not that much is known about some of the early Stoics and some entries are either short and/or read as if there is a lot of supposition involved. Things eventually become a lot more interesting with the advent of the Roman Stoics. Greek Stoics, such as Antipater the Ethicist and Panaetius the Connector, would spend time in Rome during the second century BCE, influencing the Romans and leading to such famous Roman historical figures as Cicero, Cato, Seneca and finally, Marcus Aurelius, whom is famous for his written works entitled Meditations (161 - 180 ACE). These are fascinating historical figures and Holiday and Hanselman do quite a good job of relating their historical footprint through the prism of Stoicism. It's interesting and fascinating, but unfortunately not often compelling (but, should it be?). Fortunately due to the book's format the reader can read about one Stoic at a time, usually over about twenty pages or so (the book also features a handy map and a timeline). This is how I approached reading Lives of the Stoics and in-between I started to look more into the period of history each Stoic hailed from and in the end my interest in ancient history was rekindled and I started to read a book from my library discard stash on the Roman Republic (more about that later). Once I started reading Rubicon by Tom Holland (2003) along with Lives of the Stoics, it become a much more vibrant read. Although you have to work to pick out Stoic philosophy out of the stories of its practitioners, I do feel like I have a greater appreciation of Stoicism. To get the best out of this book I recommend my approach of reading it in conjunction with some wider research of both Stoicism and of the ancient historical era.

Mars by 1980: The Story of Electronic Music - David Stubbs (2018)

 

Rating: Excellent

Mars by 1980 has been my book to read as I've been recovering from a hip replacement, and it's been exactly the right choice (you get good at this as you get older...). It's fascinating and well written, but not too demanding when the ability to concentrate is compromised. I do know and love a reasonable amount of electronic music, but this book has filled in many gaps in an engaging and interesting manner. In the preface Stubbs admits that the book is not an exhaustive history of the genre, which is just as well as it would have to have been an encyclopaedia, such is the genre's lengthy history and ubiquitous twenty first century presence. The genre's history begins in the late nineteenth century and early twentieth century, with the invention of such machines as the pianola (1895), and then the exotically named Telharmonium (1906) and the Intonarumori (1910). Part one was perhaps the most fascinating for me, going from the above mentioned inventions through to the pre WWI Futurists and then onto avant-garde electronic composers such as Edgard Varese, Pierre Schaffer, Stockhausen and John Cage. It was rewarding to read about these innovators and at the same time listen to their compositions via You Tube, a recommended approach for anyone wanting to read this book. Although overall the book is a linear history, Stubbs does jump back and forth in time a bit, which is fine. Stubbs also offers a somewhat personal and subjective perspective, recounting his initial exposure to electronic musical works, which proves to be an effective and engaging approach throughout.

Perhaps the real strength of Mars by 1980 is the quality of Stubbs' writing, which is witty, erudite and perceptive. There are never lulls or boring sections to contend with and Stubbs' subjective opinions are never intrusive or excessive in tone. Stubbs evades any criticism of not even trying to be comprehensive by making what he does cover really count. He gives in depth attention to black musical artists who were trailblazers, such as Sun Ra, Miles Davis and Stevie Wonder, as well as female artists, such as Delia Derbyshire and Daphne Oram, who worked at the BBC in the 1960's. Derbyshire produced the Dr Who theme, which became one of the most famous electronic works within mainstream awareness for quite a while. Perhaps the most enjoyable chapters for me personally were 'The Art of the Duo' and 'Substance', both of which covered electronic music in the 1980's when I was a teenager. So, a nice glow of nostalgia for me as I contended with getting my new hip into gear. Stubbs also examines ambient music, 1990's rave culture, the dominance of sampling and then EDM (electronic dance music) in the twenty first century. Along the way he deftly examines the push and pull between black and white music and the associated question of authenticity, such as when white artists become funky by sampling the work of black artists (hello Moby). Mars by 1980 is much more than just a selective overview of electronic music, it also stands as an almost anthropological examination of twentieth century culture, which, in doing so, strongly gives the impression that the invention of machines that allowed humans to compose electronic music was a highly significant development in human artistic endeavour. Recommended for music lovers who are both curious and adventurous, and really, why not be both?

Freedom, Rhythm & Sound: Revolutionary Jazz - Original Cover Art 1965-83: Compiled by Gilles Peterson and Stuart Baker (2009)

Rating: Excellent

When you really fall for jazz, as I did some twenty five years ago, you soon realise that it contains endless multitudes of musicians who made a massive amount of incredible music. The only way to attempt to take it all in is to become a dedicated Jazzbo for whom loving jazz is a way of life. Recently a fellow Jazzbo leant me this superb coffee-table book. It does exactly what it says on the cover, and more. The book includes quality text detailing some of the prime movers during this incredible period in culture, from musicians to those who started up now obscure record labels. The American civil rights era inspired a great deal of wild and important jazz music. Reading through this fascinating book it occurred to me that jazz got there first in terms of the creation of indie do it yourself record labels well before the indie label explosion that began in the late nineteen seventies during the punk and post-punk era. A little while after I happened to read the back blurb and it said exactly that! If you love jazz then this book is essential in that it alerts you to an even deeper layer of jazz, most of which I've never seen nor heard of. There's some of the acts you'd expect, like Sun Ra and Don Cherry, but then there's the likes of Idris Ackamoor, Roy Meriwether and The La Mont Zeno Theatre, among many obscure jazz acts.

The book's main thrust is the album art and the reproductions of album cover art is just superb. Here's some examples below:

Many of these I've never seen second hand or as new re-releases. As yet I haven't searched for any of them online, god knows how much original pressings would cost. I'm thinking I'm going to stick to the book for now and hope that during this re-release era many will emerge over the years.

9 -11 - Noam Chomsky ( 2001)

 

Rating: Admirable

I found this very short, 124 page book in an op-shop I frequent very close to the library earlier in the year and I immediately realised that I had to buy it because this September would be/was the twentieth anniversary of the 9-11 attacks on America. Like many people I watched the first tower on fire on TV and then the second tower be hit by the second plane. It was amazing, visceral history unfolding before our eyes. The aftermath was confusing, intense and scary in terms of just were it all might lead. We know just where now, but when this book was published we only had an inkling. 9-11 is a collection of interviews with Chomsky with journalists from around the planet, conducted mostly via email. As you would imagine Chomsky gives well considered answers and it makes for sobering reading. Most of the questions are geared toward who attacked America and why (at the time bin Laden was only suspected) and then what will happen in the near future because of the attacks. It is not particularly compelling stuff, rather it's more depressing and sobering reading, particularly in light of what went on to happen and the situation we find ourselves in now, where in America the situation has darkened and decayed significantly with Trump's threat to democracy and the potential repercussions of America's withdrawal from Afghanistan.  

During many of the questions Chomsky talks about America's poor record around the world, in particular in the Middle East, Afghanistan and Nicaragua. Chomsky refers to America as a 'leading terrorist state', mainly due to their actions in Nicaragua (now decades ago), and when you read what he has to say you have to admit that he has/had a point. There's also a great deal of talk about Osama bin Laden, whether he was responsible and we all know how that panned out. Overall it was fascinating to read responses from an intellectual of Chomsky's renown so soon after the attacks (the book was published in November 2001) and with added historical hindsight. I also watched the documentary 9-11: Inside the President's War Room (2021) on Apple TV, which was just incredible. For all of his flaws President Bush actually comes out of it looking better than he had at the time. 9-11 is obviously still causing repercussions now and this book acts as a primary source when thinking about how we have arrived at this point in history. It was updated in 2011 with the added subtitle: Was There an Alternative?, with an extra essay by Chomsky. Important but depressing reading.