9 -11 - Noam Chomsky ( 2001)

 

Rating: Admirable

I found this very short, 124 page book in an op-shop I frequent very close to the library earlier in the year and I immediately realised that I had to buy it because this September would be/was the twentieth anniversary of the 9-11 attacks on America. Like many people I watched the first tower on fire on TV and then the second tower be hit by the second plane. It was amazing, visceral history unfolding before our eyes. The aftermath was confusing, intense and scary in terms of just were it all might lead. We know just where now, but when this book was published we only had an inkling. 9-11 is a collection of interviews with Chomsky with journalists from around the planet, conducted mostly via email. As you would imagine Chomsky gives well considered answers and it makes for sobering reading. Most of the questions are geared toward who attacked America and why (at the time bin Laden was only suspected) and then what will happen in the near future because of the attacks. It is not particularly compelling stuff, rather it's more depressing and sobering reading, particularly in light of what went on to happen and the situation we find ourselves in now, where in America the situation has darkened and decayed significantly with Trump's threat to democracy and the potential repercussions of America's withdrawal from Afghanistan.  

During many of the questions Chomsky talks about America's poor record around the world, in particular in the Middle East, Afghanistan and Nicaragua. Chomsky refers to America as a 'leading terrorist state', mainly due to their actions in Nicaragua (now decades ago), and when you read what he has to say you have to admit that he has/had a point. There's also a great deal of talk about Osama bin Laden, whether he was responsible and we all know how that panned out. Overall it was fascinating to read responses from an intellectual of Chomsky's renown so soon after the attacks (the book was published in November 2001) and with added historical hindsight. I also watched the documentary 9-11: Inside the President's War Room (2021) on Apple TV, which was just incredible. For all of his flaws President Bush actually comes out of it looking better than he had at the time. 9-11 is obviously still causing repercussions now and this book acts as a primary source when thinking about how we have arrived at this point in history. It was updated in 2011 with the added subtitle: Was There an Alternative?, with an extra essay by Chomsky. Important but depressing reading.

The Lamplighters - Emma Stonex (2021)

 

Rating: Admirable

The Lamplighters is exactly what I'm beginning to think is typical fare for a book club read, a so-so novel that is basically popular fiction with some pretence or ambition to be literary fiction. The Lamplighters has some of the typical tropes of modern literary fiction, fragmented both through time, jumping back and forth between 1972 and 1992 and into sections dedicated to three different women, who were all in relationships with the three lighthouse keepers who mysteriously go missing in 1972, never to be solved (well, until you read the ending that is...). The central mystery of exactly what happened to the men tugs you along through the novel, however there are some slow points, in particular some of the sections in which the women are interviewed by a writer doing research for a book about the disappearances. The women are naturally evasive, all having something to hide, but in a way that means they tend to produce a great deal of prattling dialogue. I started to speed-read these sections, which is never a good sign. The novel has a bit of padding and perhaps could have been tightened up a bit, particularly with the revelations coming a bit too late to feel like you are being rewarded for your perseverance. 

There are things to admire about the novel, such as Stonex's fine eye for detail and fairly impressive descriptive powers. Stonex powerfully evokes the men's lives within the lighthouse and the sea with all of its beauty and menace. Stonex also has created a fine array of characters, all of whom are well rounded and believable, in particular Arthur, the Principle Keeper (PK), who is hardened by all his years on the lighthouse. Unfortunately Stonex brings into the mix some supernatural elements, which, in the end, undermine the psychological depictions of the characters, which is a strength of the novel. This spoilt the ending for me, souring the pleasure of finally finding out exactly what happened. This left me with a dissatisfied feeling and the notion that the novel was trying to be too many things at once and would have worked better if it was more focussed, playing to its strengths of setting and psychology. Still, anyone who enjoys a good lighthouse mystery tale and feels like a light holiday read should garner enough enjoyment. 

David Bowie by Sukita - Masayoshi Sukita (2021)

 

Rating: Excellent

This superb book was bought for me by my fiancé for my birthday earlier in the month. Having been a massive Bowie fan since my teens it was an obvious choice. Sukita, from the early nineteen-seventies, took some of the most significant and famous photographs of Bowie. This book contains many photographs that I'd seen in the past, but that I was not aware Sukita had been involved with, so as I went through this beautiful book I was taken by surprise numerous times, which added to the pleasure. There's also some rare photographs included that I'd never seen before. The most famous photograph Sukita took was the one that ended up being used for the 'Heroes' (1977) album, however I had always loved the other photos from this session - in black and white, with Bowie in a leather jacket looking angsty and intense, revelling in his mid 1970's pomp. Fortunately many of the photographs from this session, which actually took place in Japan, despite the album being so associated with Berlin, are included here.

My favourite photo from the book. By Sukita

Sukita's most famous photograph of Bowie

I could write a significant amount of words regarding this book, however, in the end, I'd be merely gushing. One definite thing I will say is that all Bowie fans should have this book in their collection. The photographic reproductions are of a high quality. Sukita provides the text, which is obviously translated and displays a certain charming sensibility of a non-English speaker, who is also very respectful of both Bowie and the work they did together. This becomes very poignant toward the end of the book when, in 2009, Sukita took his last shots of Bowie when he was visiting New York, only one of which is reproduced here. Perhaps this is the only criticism of this book, that it could have been much bigger, with many more photographs, particularly as Sukita worked with Bowie at many different points during his career. However, like Bowie himself, Sukita comes across as someone concerned with quality control, which is totally fair enough. Reading this coffee-table, hard-back book has inspired me to look much more closely at many of these types of publications I have in my collection. In the past I've merely leafed through them, but now I'm going to read them from front to back, so expect more to appear on this blog in the future, including some more about Bowie and other of my musical obsessions.

Not quite that famous photo. By Sukita

Bowie by Sukita

The Process - Brion Gysin (1969)

 

Rating: Not Rated

The Process is the first book in about fifteen years that I've abandoned. I have a fairly formal arrangement with my reading self to not abandon books I'm not enjoying, which in part probably stems from the discipline of reading for a book club, particularly as I facilitate the sessions. I lasted one hundred pages before I couldn't stand it any more. The problem? Mostly because I've read too many novels like this one, with narratives that are plotless, predominately picaresque in nature and full of flaneur type characters. I love the Beat writers, in particular the great Jack Kerouac, but Gysin, here at least, does not match Kerouac's flair, technical prowess and wide-eyed wonder at the world. Instead, the main protagonist, Ulys O. Hanson, sets out from Morocco to travel across the Sahara Desert, with no luggage save for a hefty bag of 'Keff' that he smokes continually in a pipe. Apparently Hanson meets with the famous Master Musicians of Jajouka and L. Ron Hubbard along the way, but I didn't get that far, worn down by Hanson's stoned wanderings and descriptions of the desert people, the landscape and the mystical trances those he allows to puff on his pipe go through. It's mildly engaging, but I couldn't get rid of an impatient itch inside me that grew until I couldn't stand it any more. I used the excuse of having to begin the next book club novel to bail.

Gysin and Burroughs with the Dreamachine

Brion Gysin (1916 - 1986) himself was quite an interesting character however, a friend of William S. Burroughs and inventor of the 'cut-up technique' of constructing narrative, of which Burroughs embraced wholeheartedly for a series of startling novels from the 1950's until his death in 1997. Gysin was predominately an artist, poet and performance artist and also inventor of the Dreamachine, a stroboscopic device that induced patterns of colour when viewed with eyes closed. Far out man. The Process is Gysin's main novel, with other publications mostly featuring poetry and short fiction, including The Third Mind (1978), co-authored with William Burroughs. Alas, such a pedigree of creative spirit and connections was not enough to propel me forward through to the end of The Process, so in fairness I'm not going to rate this book, only the second in the ten year history of this blog not to be rated. 

Lyonesse II: The Green Pearl - Jack Vance (1986)

 

Rating: Excellent

Jack Vance was such a superb writer, his prose is just so vivid and classy that even though The Green Pearl is not quite up to the quality of the first book in the Lyonesse trilogy, Suldrun's Garden (1983), it is still an immensely satisfying read. The Green Pearl follows the adventures of many of the characters from the first book, particularly Aillas, who is now the king of the southern island of the Elder Isles, Troicinet. Although the novel begins with the sinister movements of the evil green pearl, which appeared at the end of the first novel, a great deal of the narrative follows Aillas' political and military adventures. Whilst the magical forest of Tantrevalles featured strongly as a setting in the first book, here it is the barren and mountainous region of Ulfland that dominates. Aillas battles the Viking-like Ska, who have declared themselves at war with the rest of the world and occupy much of Ulfland. Aillas' wizard ally, Shimrod, appears again and gets caught up in attempting to satisfy his carnal desires with the mysterious Melancthe, who comes across, somewhat humorously, as a parody of a goth (as in goths from the late 70's music scene...).This is just some of the colourful adventure and political intrigue featured as the novel steadily builds its narrative arc.

Cover art from another edition

Once again Vance sends his protagonists on long adventures during which they face dangers both of the practical and the magical kind. It's entertaining stuff and I would imagine that this narrative form was aimed at players of Dungeons and Dragons, who would have been strongly drawn to many of the tropes featured  throughout the novel. My favourite part of The Green Pearl comes towards the end, when the beautiful princess, Glyneth, is kidnapped by the obnoxious Visbhume, a somewhat mediocre wizard, and is taken to the parallel world of Tanjecterly, where humans can live, but are threatened by all kinds of monstrous creatures. This section is wildly imaginative and exciting, with Glyneth going against type as a helpless princess, taking things into her own hands. The Green Pearl has much to recommend, including characters with depth and dialogue that sparkles with verve and complexity. The world-building is sophisticated and features an array of characters with brilliant names and unusual characteristics. As far as trilogies go, The Green Pearl is typical in that although it features a multitude of narrative pleasures, it does come across as a bridging novel, and therefore suffers slightly as a consequence. However, from what I've heard from those in the know the third novel, Madouc (1989), is a fine end to the trilogy, so I'm looking forward to reading that in the near future.

Klara and the Sun - Kazuo Ishiguro (2021)

 

Rating: Admirable

I'm in two minds about Klara and the Sun. Ishiguro has produced a fine novel, his first since winning the Nobel Prize for Literature in 2017, and the breadth of his ambition is to be admired, with some intriguing themes dealt with in a subtle and intelligent manner, however I did not actually enjoy the novel particularly. Klara and the Sun is another stab at 'literary science fiction', in a similar vein to Never Let Me Go (2005), as has been noted by some critics, which is a reasonable summation, although to be fair to Ishiguro there are some fairly significant differences. The eponymous protagonist is an AF (artificial friend), an AI humanoid android, who is purchased by the mother of fourteen year old Josie to keep her from being lonely while she spends her days isolated, learning online and being afflicted by a mysterious illness. The illness, once you come to understand its nature, is not so mysterious and is one of the more morally ambiguous themes explored in the novel. Klara is a very capable AF, both intelligent and benign, but also surprisingly naive. Although as the novel progresses you learn just how society has been negatively transformed by humanoid AI androids, Klara herself is shown to be nothing but kind to those around her, in fact she is much more caring than the stressed out and fickle humans. The human characters are mostly average people living in what appears to be a radically altered culture, although the reader is never privy to the mechanisms behind these changes, they are only hinted at. The majority of the human characters are merely the end users of these radical technologies, trying to cope with the moral and practical challenges they present. 

Although Klara is a fascinating protagonist, the fact that the story is related from her point of view means that the novel has an almost flat one dimensional tone that does not easily allow narrative tension to build. Klara's narrative voice is predominately observational in nature, so that often the novel is weighed down by excessive descriptions of what the characters are doing, how they are relating to each other and why they are doing the things they are doing. A trip in the car becomes a tedious affair due to the fact that Klara relates every single thing about it. I often found myself speed reading or skipping ahead to more significant portions of the narrative, which is always an unfortunate outcome for the reader. The novel is also imbued with a melancholic tone and a feeling of quiet desperation on the part of the human characters. Sometimes there is an ominous, bordering on disturbing aspect to some of the more curious parts of the novel, however it occurred to me that Klara and the Sun is like a 'light' version of a J G Ballard novel, relatively unsettling, but ultimately not unsettling enough, which is a shame really, as there are important themes at play that could have made a greater impact if the narrative had been more dynamic.

As a postscript yesterday I facilitated the last of three library book club session to discuss this novel and the groups were roughly split into thirds, with one third loving the novel, another third opining that it is a failure and the final third being somewhere in-between, which is where I stood. It's certainly a divisive novel, which, as is often the case, led to in depth discussions and quite a few people coming away with a greater appreciation of the novel's finer points. I came away from these discussions thinking that, despite its flaws, Klara and the Sun is a subtle and thematically sophisticated novel. It makes me wonder how the novel will be regarded in, say, ten years time. As an important novel? Or as an underrated cult classic? Given Ishiguro's status it will probably not fade away and perhaps it will glow more brightly in its afterlife. Part of me kind of hopes so...

Death's End - Cixin Liu (2010) Translated by Ken Liu (2016)

 

Rating: Sublime

Death's End, the third book of the Remembrance of Earth's Past trilogy, is a remarkable science fiction novel, perhaps the greatest one I've ever read, and certainly the best closing novel of a trilogy I've ever read. I've never encountered a science fiction novel quite like Death's End. The manner in which Liu spins his tale is just beguiling, endlessly fascinating and compelling. The narrative is logical and precise, despite being six hundred pages long. Nothing is wasted, everything is connected and the narrative thrills are astounding. What is truly remarkable is that Liu takes his time, never giving in to any notion of satisfying the reader's narrative greed; back stories are given space to breath and when the narrative is jolted forward by a revelation or plot development it comes across as a totally natural development of what came before, even though you didn't see it coming. Death's End encompasses an enormous time frame, beginning during the twentieth century 'Common Era' of the first novel, The Three Body Problem (2008), and through the 'Crisis and Deterrence Eras' of the second novel, The Dark Forest (2008); and then through the 'Post-Deterrence Era' and five other eras before ending some eighteen billion years later! What occurs in-between is just a stunning and unique exploration of humanity's struggle to survive in a dark universe (and I mean bleakly dark). 

Cixin Liu - science fiction genius

One of Cixin Liu's most impressive achievements is the application of the laws of physics and cosmology taken to their most extreme and logical end points. The highlights of this approach are numerous and unfortunately hard to talk about lest I reveal too much. However it's probably safe to mention the sections that involve humans encountering and exploring four dimensional space. The manner in which Liu uses four dimensional space as both a brilliant plot device and as a way to just blow your mind is incredible. This is just one example of the many times I actually exclaimed out loud "Wow!". It does help to know something about physics, such as theoretical eleven dimensional space, quantum mechanics, black holes and relativity, so if you can brush-up before reading it will greatly enhance your enjoyment. To contrast this (although it is connected with physics), Liu also includes three fairy-tales that are brilliant in their own right, in particular in the clever way they are connected with the main narrative. As for the writing, although not exceptional, Liu's style is more than adequate, and compared to the first two books is quite often poetic and beautiful. The characters, which sometimes came across as merely vessels to help tell the story in the first two books, are more well rounded here. Unusually for me I've indulged in some hyperbole in this brief review ( I could easily write an essay), but I have to say there's no other way to get across just how good this novel is. If you are fan of science fiction you have to read it, but you'll have to read the first two books first! Fortunately both are excellent in their own right, but Death's End is the amazing reward that closes out an incredible imaginative exploration of what the universe could well be like (but let's hope not!).